Kandai is a journal that publishes results of research in language and literature studies, including theoretical linguistics, applied linguistics, interdisciplinary linguistics, oral tradition, philology, semiotics, pure literature, applied literature, interdisciplinary literature, also literature and identity politics. Kandai is published twice a year, on May and November. All published articles have gone through the review process by well-read editors. Kandai is published by Kantor Bahasa Sulawesi Tenggara, Indonesia. Kandai was first published in 2005. The name of Kandai had undergone the following changes: Kandai Majalah Illmiah Bahasa dan Sastra (2005) and Kandai Jurnal Bahasa dan Sastra (2010). Since the name of journal should refer to the name that was registered on official document SK ISSN, in 2016 Kandai started publish issues with the name of Kandai (refer to SK ISSN No. 0004.091/JI.3.02/SK.ISSN/2006 dated February 7th, 2006, stating that ISSN 1907-204X printed version uses the (only) name of KANDAI). In 2017, Kandai has started to publish in electronic version under the name of Kandai, e-ISSN 2527-5968. ISSN 1907 - 204X (print) ISSN 2527 - 5968 (online) Accredited Rank 2 Number 200 / M / KPT / 2020 Accreditation Period: November 2018 - May 2023
Kantor Bahasa Provinsi Sulawesi Tenggara
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FROM MONSTROUS TO THE OMISSION OF WOMAN’S NARRATION IN INDONESIAN’S NOVEL BIDADARI-BIDADARI SURGA (Dari Monsterisasi menuju Nihilisasi Narasi Perempuan pada Novel Indonesia Bidadari-Bidadari Surga)
Perempuan kerap dikisahkan berbeda oleh pengarang laki-laki, seperti halnya tokoh Laisa dalam novel Bidadari-bidadari Surga (BBS) karya Tere Liye. Laisa yang merupakan tokoh utama dan memainkan peran yang sangat signifikan dalam narasi ini, digambarkan dengan cara yang cukup menyedihkan dalam narasinya. Akibatnya, karakter ini dikaburkan oleh kehadiran karakter lain. Analisis deskriptif dengan perspektif gender akan digunakan untuk menunjukkan bagaimana pengarang menyembunyikan keberadaan Laisa dan berupaya menghilangkan sosoknya secara bertahap. Kajian ini juga menggunakan teori Braidotti dan Tuchman untuk menganalisis bagaimana proses monsterisasi dan nihilisasi terhadap tokoh Laisa dilakukan. Upaya Liye untuk menghapus karakter Laisa dari novelnya akan dianalisis menggunakan teori symbolic annihilation. Di akhir analisis, dapat disimpulkan bahwa pengarang dalam cerita ini, memiliki berbagai cara mendeskreditkan perempuan. Oleh karena tidak adanya kestabilan ideologi domestik. Women are often narrated differently by male authors, as is the case with Laisa's character in Tere Liye's novel Bidadari-bidadari Surga (BBS). Laisa, who is the main character and plays a very significant part in this narrative, is described in a quite depressing manner in the narration; as a result, the presence of other characters obscures this character. Descriptive analysis with a gender perspective will be used to prove how the author conceals Laisa's existence and attempts to gradually remove her figure. This research also employs Braidotti and Tuchman’s theory to investigate how the process of monsterization and nihilation of Laisa develops. Liye's efforts to remove the character of Laisa from his novel will be aided, however, if he makes use of the symbolic annihilation theory in the process. At the end of the analysis, it can be revealed that the author discredits women in many ways, owing to a lack of domestic ideological stability.
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PERUBAHAN MAKNA KATA BAHASA INDONESIA PADA AKUN PENGGEMAR K-POP DI TWITTER: KAJIAN SEMANTIK (The Changes in Meaning that Occur in K-Pop Fan Accounts on Twitter: Semantic Analysis)
The purpose of this study is to describe the types of changes in meaning that occur in K-Pop fan accounts on Twitter. This research is a descriptive qualitative research with a semantic approach. The research data is in the form of sentences containing Indonesian words that have changed meaning on the Twitter accounts @starfess, @caratstalk, @nctzenbase, and @girlgrouparea. Data were obtained using the listening method with advanced techniques in the form of note taking techniques. The data of this study were analyzed using two methods, namely the agih method with the basic technique of direct element division (BUL) and advanced techniques in the form of replacement techniques and insert techniques, as well as the equivalent method with the basic technique of sorting out determining elements (PUP) and advanced techniques in the form of equal comparison comparison techniques. (HBS). Research data were analyzed using techniques. This study concluded that changes in the meaning of Indonesian words used by K-Pop fan accounts on Twitter tend to be dominated by changes in the meaning of metaphors caused by the development of increasingly advanced information technology, giving rise to the need for new meanings by K-pop fans to express their feelings for their idols and to communicate with each other in the K-Pop community on Twitter. Tujuan penelitian ini adalah untuk mendeskripsikan jenis perubahan makna yang terjadi pada akun penggemar K-Pop di Twitter. Penelitian ini merupakan penelitian kualitatif deskriptif dengan pendekatan semantik. Data penelitian ini berupa kalimat yang mengandung kata bahasa Indonesia yang mengalami perubahan makna pada akun Twitter @starfess, @caratstalk, @nctzenbase, dan @girlgrouparea. Data diperoleh menggunakan metode simak dengan teknik lanjutan berupa teknik catat. Data penelitian ini dianalisis menggunakan dua metode, yaitu metode agih dengan teknik dasar bagi unsur langsung (BUL) dan teknik lanjutan berupa teknik ganti dan teknik sisip, serta metode padan dengan teknik dasar pilah unsur penentu (PUP) dan teknik lanjutan berupa teknik hubung banding menyamakan (HBS). Penelitian ini menyimpulkan bahwa perubahan makna kata bahasa Indonesia yang digunakan oleh akun penggemar K-Pop di Twitter cenderung didominasi oleh perubahan makna jenis metafora yang disebabkan oleh perkembangan teknologi informasi yang semakin maju sehingga menimbulkan kebutuhan akan makna baru oleh para penggemar K-Pop guna mengekspresikan perasaan mereka terhadap idola K-Pop dan untuk saling berkomunikasi satu sama lain pada komunitas K-Pop di Twitter.
SYMBOLIC HARMONY IN THE RICE FIELD: EXPLORING ROLES AND LEADERSHIP IN RICE FARMING RITUALS (Harmoni Simbolik di Sawah: Eksplorasi Peran dan Kepemimpinan dalam Ritual Pertanian Padi)
Penelitian ini bertujuan untuk mengeksplorasi peran dan kepemimpinan Sanro Ase dalam ritual pertanian padi di Desa Sengeng Palie. Meskipun teknologi pertanian modern telah diperkenalkan, masyarakat desa ini masih terus mempraktikkan ritual pertanian padi tradisional. Sanro Ase memegang peran sentral dalam tradisi ini, dan memahami peran mereka memberikan wawasan tentang bagaimana kepercayaan dan pengetahuan tradisional tetap relevan dalam masyarakat pertanian kontemporer. Penelitian ini menggunakan metode etnografi, termasuk observasi, wawancara, dan partisipasi dalam kehidupan sehari-hari di desa tersebut. Temuan penelitian mengungkapkan bahwa Sanro Ase memainkan peran penting dalam menentukan hari baik untuk bercocok tanam dan mengelola pengetahuan yang berkaitan dengan pengelolaan ritual yang dilakukan oleh para petani. Para petani di Desa Sengeng Palie sangat bergantung pada keahlian Sanro Ase dalam memimpin ritual-ritual tersebut, yang mencerminkan kepercayaan mereka terhadap pengetahuan tradisional dan pemahaman mereka tentang pentingnya menjaga keberlanjutan pertanian. This research explores the roles and leadership of Sanro Ase in the rice farming rituals of Sengeng Palie Village. Despite the introduction of modern agricultural technology, the village's community continues to uphold traditional rice farming rituals. Sanro Ase occupies a central position within these practices, and examining their role offers valuable insights into the resilience and relevance of indigenous knowledge systems in contemporary rural life. The research uses ethnographic methods, including observation, interviews, and participation in the village's daily life. The study's findings reveal that Sanro Ase plays a vital role in determining auspicious planting days and managing the knowledge related to the management of the rituals performed by the farmers. The farmers in Sengeng Palie Village heavily rely on Sanro Ase's expertise in leading these rituals, which reflects their trust in traditional knowledge and their understanding of the importance of maintaining agricultural sustainability.
TINDAK TUTUR REPRESENTATIF BERBAHASA INDONESIA SEBAGAI BAHASA KEDUA DALAM PIDATO PENUTUR KOREA SELATAN (Representative Speech Acts in Indonesian as a Second Language in Speeches by South Korean Speakers)
This study investigates representative speech acts in speeches by South Korean speakers. The research object is Indonesian language as L2. The objectives are to discuss 1) the functions of representative speech acts; 2) types of representative speech acts; and 3) speech act strategies. The research methodology employs a qualitative approach, with data collected from transcripts of speeches in Indonesian by South Korean female speakers. Data sources were obtained from YouTube videos featuring speeches by South Korean female speakers. The results of the study reveal: Representational speech acts convey historical information to enrich knowledge, employing both direct and evaluative strategies. Assertive speech acts aim to persuade listeners, encouraging them to appreciate their language, using subtle and cooperative indirect strategies. Meanwhile, descriptive speech acts illustrate cross-linguistic experiences, highlighting the differences between Indonesian and Malay, with the goal of providing new insights and addressing misunderstandings. Penelitian ini mengaji tindak tutur yang berbentuk representatif dalam pidato penutur Korea Selatan. Objek penelitian ini berupa bahasa Indonesia sebagai B-2. Tujuan penelitian ini membahas 1) fungsi tindak tutur representatif; 2) jenis tindak tutur representatif; dan 3) strategi tindak tutur. Metode penelitian ini menggunakan pendekatan kualitatif, sedangkan data penelitian ini berupa transkrip pidato berbahasa Indonesia wanita Korea Selatan. Sumber data penelitian ini diperoleh dari video YouTube konten pidato penutur wanita Korea Selatan. Hasil penelitian yang diperoleh, tindak tutur representatif fakta menyampaikan informasi historis untuk memperkaya pengetahuan, menggunakan strategi langsung dan evaluatif. Tindak tutur penegasan bertujuan meyakinkan pendengar, seperti mendorong mencintai bahasa, dengan strategi tak langsung yang halus dan kooperatif. Sementara itu, tindak tutur pendeskripsian menggambarkan pengalaman lintas bahasa, menyoroti perbedaan antara bahasa Indonesia dan Melayu, dengan tujuan memberikan pemahaman baru dan mengatasi kesalahpahaman.
KONSTELASI WACANA FATIS DALAM STRUKTUR WACANA PERCAKAPAN MASYARAKAT JAWA (The Constellation of Phatic Discourse in The Conversational Discourse Structure of Javanese Society)
Language in its social mode is realized in the form of phatic discourse, which is discourse that holds little informational importance but is crucial as a means of maintaining social relationships. In general communication practices within a community, phatic discourse is typically used in the opening and closing phases (marginal phases) of a conversation. Based on this assumption, the researchers hypothesized that phatic discourse is very likely to be present and constellate in every phase of interaction, depending on relational needs and conversational context. This study aimed to describe the constellation of phatic discourse within the conversational discourse structure of Javanese society. The data for this study consisted of phatic discourse as units filling conversational/interactive discourse. Data collection was centered in Pirikan Village, Secang District, Magelang Regency, from January to June 2020. A total of 17 respondents participated in the research. Data collection was performed using non-participant observation techniques. During data collection, the researchers also conducted recording, note-taking, and transcription. The research data were analyzed using referential identity methods, pragmatic identity methods, and distributional methods. Based on the findings, phatic discourse was present and constellated in every phase of interaction, including opening, middle, and closing phases. The phatic discourse constellating within the conversational discourse structure of Javanese society served five functions: propitiatory, exploratory, initiatory, space/pause fillers, mitigatory, and consolidatory. The constellation of these functions within the conversational structure ultimately served to achieve a working consensus for interaction. The results of this study confirm previous researchers' theses that phatic discourse generally constellates in marginal phases, and it proves that phatic discourse can also appear and constellate in the middle phase of interaction. Bahasa dalam modus sosial direalisasikan dalam bentuk wacana fatis, yaitu sebuah wacana yang tidak penting informasinya, tetapi penting sebagai sarana untuk memelihara hubungan sosial. Dalam praktik komunikasi di masyarakat, pada umumnya wacana fatis digunakan dalam fase pembuka dan penutup (fase marginal) percakapan. Berangkat dari asumsi itu peneliti berhipotesis bahwa wacana fatis sangat mungkin hadir dan berkonstelasi dalam setiap fase interaksi bergantung kebutuhan relasional dan konteks percakapan. Penelitian ini bertujuan mendeskripsikan konstelasi wacana fatis dalam struktur wacana percakapan masyarakat Jawa. Data dalam penelitian ini ialah wacana fatis sebagai satuan pengisi wacana percakapan/interaktif. Latar pengambilan data dipusatkan di Desa Pirikan, Kecamatan Secang, Kabupaten Magelang pada Januari s.d. Juni 2020. Responden yang terlibat dalam penelitian berjumlah 17 orang. Pengumpulan data dilakukan dengan teknik observasi nonpartisipan. Selama pengumpulan data berlangsung, peneliti juga melakukan perekaman, pencatatan, dan pentranslasian. Data penelitian ini dianalisis dengan metode padan referensial, padan pragmatis, dan metode agih. Berdasakan penelitian, wacana fatis hadir dan berkonstelasi dalam setiap fase interaksi baik pembuka, tengah, penutup. Wacana fatis yang berkonstelasi dalam struktur wacana percakapan masyarakat Jawa memiliki lima fungsi, antara lain: propitiatory, exploratory, initiatory, space/pause fillers, mitigatory, dan consolidatory. Konstelasi fungsi-fungsi tersebut dalam struktur percakapan pada akhirnya digunakan untuk mencapai konsensus interaksi (working consensus). Hasil penelitian ini mengukuhkan tesis para peneliti terdahulu bahwa pada umumnya wacana fatis berkonstelasi pada fase marginal dan membuktikan bahwa wacana fatis dapat muncul dan berkonstelasi pada fase tengah interaksi.
VARIASI GAYA BAHASA SINDIRAN DALAM DEBAT KETIGA PEMILIHAN PRESIDEN INDONESIA 2024 (Language Style Variations of Satire In The Third Debate of The 2024 Indonesian Presidential Election)
Ahead of the 2024 presidential election, there are various political phenomena that occur and cause many pros and cons. One of them is the third presidential debate, which has attracted a lot of public interest. This study aims to provide a description of the use of satirical language styles contained in the third presidential debate in the 2024 general election by using the theory of satirical language styles consisting of six types, namely irony, cynicism, sarcasm, satire, antiphrasis, and inuendo. The method used in this research is a descriptive method with a qualitative research form. The data in this research are all words and sentences containing sarcasm in the third debate of the 2024 Indonesian presidential candidates. The technique used in data collection is the documentary study technique, which utilizes audiovisual and digital materials. The technique used in data analysis is the data reduction technique, which involves identifying, presenting, and describing data in the form of satire language. The results of this study show that there are 24 utterances containing sarcasm language style, which are evenly distributed among all types of sarcasm language style, consisting of six types of sarcasm language style. Menjelang Pemilihan Presiden 2024, terdapat berbagai fenomena politik yang terjadi dan menimbulkan banyak pro dan kontra. Salah satunya adalah adanya debat presiden ketiga yang banyak mengundang ketertarikan masyarakat. Penelitian ini bertujuan untuk memberikan deskripsi pemakaian gaya bahasa sindiran yang terdapat dalam debat ketiga calon presiden pada pemilihan umum tahun 2024 dengan menggunakan teori gaya bahasa sindiran yang terdiri atas enam macam, yaitu ironi, sinisme, sarkasme, satire, antifrasis, dan inuendo. Metode yang digunakan dalam penelitian ini adalah metode deskriptif dengan bentuk penelitian kualitatif. Data dalam penelitian ini adalah semua kata dan kalimat yang mengandung gaya bahasa sindiran di dalam debat ketiga calon presiden Indonesia 2024. Teknik yang digunakan dalam pengumpulan data adalah teknik studi dokumenter dengan memanfaatkan audiovisual and digital materials (materi digital dan audiovisual). Teknik yang digunakan dalam analisis data adalah teknik reduksi data, mengidentifikasi data, menyajikan, dan mendeskripsikan data dalam bentuk gaya bahasa sindiran. Hasil penelitian ini menunjukkan bahwa terdapat 24 tuturan yang mengandung gaya bahasa sindiran yang tersebar ke semua jenis gaya bahasa sindiran yang terdiri atas enam jenis.
PRESERVASI PENGETAHUAN LOKAL KEBENCANAAN SERAT PRIMBON: KEBIJAKAN MITIGASI BENCANA GEMPA BUMI BERBASIS LOCAL WISDOM (Preservation of the Disaster Local Knowledge of Serat Primbon: Local Wisdom-Based Earthquake Disaster Mitigation Policy)
Local wisdom in the form of Serat Primbon Koleksi Kraton Kasultanan Yogyakarta Nomor D6/M269/Bh139 has many values, one of which is disaster knowledge. This research aims to analyze the potential values contained in Serat Primbon in the formulation of the Disaster Risk Management Plan, which contains local wisdom-based earthquake preparedness and mitigation strategies. This research uses a qualitative method with a literature study approach. There are several stages in this research, namely transliterating, translating, and interpreting. Based on the research results, it is known that Serat Primbon Koleksi Kraton Kasultanan Yogyakarta Nomor D6/M269/Bh139 has potential values for the formulation of a disaster risk management plan. The application of local wisdom values is more appropriate if applied in the Java region, especially the Special Region of Yogyakarta, considering the nature of local wisdom, which comes from the experiences of certain communities. It is hoped that this research will be able to contribute as a reference for the Regional Government of the Special Region of Yogyakarta in its efforts to mitigate earthquakes and natural disasters in the Yogyakarta Philosophy Axis through the preparation of a local wisdom-based disaster risk management plan. Local wisdom berupa Serat Primbon Koleksi Kraton Kasultanan Yogyakarta Nomor D6/M269/Bh139 memiliki banyak nilai-nilai, salah satunya yaitu pengetahuan kebencanaan. Penelitian ini bertujuan untuk menganalisis potensi nilai-nilai yang terkandung dalam Serat Primbon dalam perumusan penyusunan Disaster Risk Management Plan yang berisi strategi kesiapsiagaan dan mitigasi bencana alam gempa bumi berbasis local wisdom. Penelitian ini menggunakan metode kualitatif dengan pendekatan studi literatur. Terdapat beberapa tahapan dalam penelitian ini, yaitu transliterating, translating, dan interpreting. Berdasarkan hasil penelitian, diketahui bahwa Serat Primbon Koleksi Keraton Kasultanan Yogyakarta Nomor D6/M269/Bh139 memiliki potensi nilai-nilai untuk perumusan penyusunan Disaster Risk Management Plan. Penerapan nilai-nilai local wisdom tersebut lebih sesuai apabila diterapan di daerah Jawa, khususnya Daerah Istimewa Yogyakarta, mengingat sifat dari local wisdom yang berasal dari pengalaman masyarakat tertentu. Penelitian ini diharapkan mampu berkontribusi sebagai referensi bagi Pemerintah Daerah Istimewa Yogyakarta dalam upaya mitigasi bencana alam gempa bumi di Sumbu Filosofi Yogyakarta melalui penyusunan Disaster Risk Management Plan berbasis local wisdom.
POTRET EKOLOGI DALAM ANTOLOGI PUISI AIR KARYA ANAK-ANAK UNTUK PENGETAHUAN SEJAK DINI TENTANG PERUBAHAN IKLIM (Portrait of Ecology in The Antology of Water Poetry Children's Works for Early Knowledge about Climate Change)
This study aims to examine a children's poem addressing ecological degradation and its potential impact on future climate change. The methodology employed is descriptive qualitative, utilizing ecocriticism serving as the theoretical framework. The research findings on children's poetry indicate that the environments surrounding children, in both rural and urban settings, have experienced significant deterioration due to anthropogenic activities. These include the reduction of river depths, accumulation of waste, and contamination of water bodies resulting in malodorous emissions, leading to a cessation of riverine activities by residents. Furthermore, numerous recreational and grazing areas have been repurposed for commercial and residential development. Deforestation has occurred to facilitate the conversion of land for agricultural use. The consequences of this environmental degradation include a scarcity of potable water, insufficient water for livestock consumption, increased flood occurrences, a reduction in open and green spaces for children's recreation, and persistently elevated temperatures in rural areas. Penelitian ini bertujuan mendeskripsikan puisi karya anak-anak tentang kerusakan ekologi yang berdampak perubahan iklim pada masa depan. Metode yang digunakan adalah deskriptif kualitatif dengan menggunakan ekokritik sebagai kerangka teori. Hasil penelitian puisi karya anak-anak menunjukkan bahwa di sekitar lingkungan anak-anak, baik di desa maupun kota mengalami kerusakan parah akibat ulah manusia, seperti sungai dangkal, bersampah, dan airnya kotor sehingga berbau busuk dan warga tidak lagi berkegiatan di sungai; banyak lahan tempat bermain dan menggembala ternak dijadikan bangunan supermarket dan permukiman; hutan ditebang untuk alih fungsi lahan pertanian. Dampak kerusakan tersebut menyebabkan krisis air bersih, hewan ternak tidak cukup minum air, banjir, dan anak-anak tidak dapat bermain di tempat terbuka dan hijau, dan cuaca selalu panas di desanya.
METAFORA SEJARAH DAN SIMBOLISME DALAM TUTURAN RITUAL MEAGOLIWU PADA MASYARAKAT KORONI (Historical Metaphors and Symbolism in Meagoliwu Ritual Rules in The Koroni Community)
This study explores historical metaphors and symbolism in the ritual utterance of Meagoliwu among the Koroni community in Southeast Sulawesi. The research problem focuses on how metaphors in these utterances represent the historical relations of the Koroni people with other ethnic groups and how they function to strengthen cultural identity and collectivity. Using a qualitative approach, the study applied referential and pragmatic equivalent methods to interpret symbolic meanings. Data were obtained through observation, in-depth interviews, and oral documentation involving local informants. The findings reveal two central metaphors: the female metaphor in the story of Salabose, which symbolizes Koroni’s geographical, economic, and cultural appeal, and the shell metaphor, which represents maritime threats as well as the resilience of coastal society. Furthermore, the naming of the harbors Labuan Tobelo, Labuan Belanda, Labuan Wolio, and Labuan Bajo reflects historical maritime interactions across ethnic networks. These findings demonstrate that metaphors in Meagoliwu function not only as aesthetic narratives but also as ideological instruments that construct collective identity and historical legitimacy. This study highlights the importance of preserving oral traditions through systematic documentation and recommends comparative studies with other maritime traditions in the Indonesian archipelago. Kajian ini membahas metafora sejarah dan simbolisme dalam tuturan ritual Meagoliwu pada masyarakat Koroni di Sulawesi Tenggara. Permasalahan penelitian difokuskan pada bagaimana metafora dalam tuturan tersebut merepresentasikan hubungan historis masyarakat Koroni dengan etnik lain, serta bagaimana fungsi metafora memperkuat identitas budaya dan kolektivitas. Penelitian ini menggunakan pendekatan kualitatif dengan metode padan referensial dan padan pragmatis untuk menafsirkan makna simbolik tuturan. Data dikumpulkan melalui observasi, wawancara mendalam, dan dokumentasi lisan bersama informan setempat. Hasil penelitian menunjukkan adanya dua metafora utama: metafora perempuan dalam kisah Salabose yang melambangkan daya tarik geografis, ekonomi, dan kultural Koroni, serta metafora kerang yang mencerminkan ancaman maritim sekaligus simbol ketahanan masyarakat pesisir. Selain itu, penamaan pelabuhan Labuan Tobelo, Labuan Belanda, Labuan Wolio, dan Labuan Bajo merefleksikan interaksi historis maritim lintas etnik. Temuan ini menegaskan bahwa metafora dalam Meagoliwu tidak hanya berfungsi sebagai narasi estetis, tetapi juga sebagai instrumen ideologis dalam membangun identitas kolektif dan legitimasi historis. Kajian ini merekomendasikan pentingnya pelestarian tradisi lisan melalui dokumentasi sistematis serta studi perbandingan dengan tradisi maritim Nusantara lainnya.
THE REPRESENTATION OF PARENTAL INTERVENTION IN NOKTAH MERAH PERKAWINAN FILM: A BARTHESIAN SEMIOTIC ANALYSIS (Representasi dari Intervensi Orang Tua dalam Film Noktah Merah Perkawinan: Analisis Semiotic Barthes)
Keterlibatan orang tua dalam pernikahan merupakan hal yang sering muncul dalam budaya Indonesia dan kerap dilegitimasi melalui mitos yang membentuk dinamika rumah tangga. Penelitian ini mengkaji bagaimana intervensi orang tua dipresentasikan dalam film Noktah Merah Perkawinan dengan menggunakan kerangka semiotika Roland Barthes yang mencakup denotasi, konotasi, dan mitos. Melalui analisis kualitatif, lima adegan kunci diteliti untuk mengungkap bagaimana dominasi orang tua berfungsi sekaligus sebagai bentuk bimbingan dan pemicu konflik perkawinan. Hasil penelitian menunjukkan bahwa mitos tentang keberuntungan, perlindungan ibu, kerahasiaan finansial, loyalitas kepada mertua, dan kebenaran orang tua bukan sekedar kepercayaan tradisional, tetapi menjadi mekanisme kontrol yang memperkuat ketergantungan dan melemahkan kebebasan pasangan. Mitos-mitos ini disampaikan tidak hanya melalui dialog, tetapi juga strategi visual seperti tata ruang, sudut pengambilan gambar, dan bahasa tubuh. Penelitian ini menyimpulkan bahwa film tersebut merefleksikan kritik terhadap realitas sosial Indonesia yang lebih luas, di mana dominasi orang tua terus menentang kemandirian pasangan, serta memperlihatkan ketegangan antara tradisi dan kebebasan dalam kehidupan pernikahan. Parental involvement in marriage is a common occurrence in Indonesian culture and is often legitimized through myths that shape household dynamics. This study examines how parental intervention is presented in the film Noktah Merah Perkawinan using Roland Barthes's semiotic framework of denotation, connotation, and myth. Through qualitative analysis, five key scenes are examined to reveal how parental dominance functions simultaneously as a form of guidance and a trigger for marital conflict. The results show that myths about luck, maternal protection, financial secrecy, loyalty to in-laws, and parental righteousness are not simply traditional beliefs, but rather control mechanisms that reinforce dependency and undermine the couple's freedom. These myths are conveyed not only through dialogue but also through visual strategies such as spatial arrangement, camera angles, and body language. The study concludes that the film articulates a critical reflection on Indonesian social realities, illustrating how parental dominance continues to challenge conjugal independence and symbolizing the enduring tension between tradition and individual freedom within marriage.